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	<title>Sensible Acting</title>
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	<link>http://www.sensibleacting.com</link>
	<description>The Sensible way to Prepare, Promote and Perform</description>
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		<item>
		<title>Does &#8220;Just Be Yourself&#8221; Really Work For You????</title>
		<link>http://www.sensibleacting.com/2012/02/09/does-just-be-yourself-really-work-for-you/</link>
		<comments>http://www.sensibleacting.com/2012/02/09/does-just-be-yourself-really-work-for-you/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 18:48:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1567</guid>
		<description><![CDATA[Ken Grant&#8217;s observations on the stupidity of actors being advised to &#8220;Just Be Yourself&#8221; &#160;]]></description>
			<content:encoded><![CDATA[<p>Ken Grant&#8217;s observations on the stupidity of actors being advised to &#8220;Just Be Yourself&#8221;</p>
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<p>&nbsp;</p>
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		</item>
		<item>
		<title>Acting Tips: How Actors Should Measure Career Success</title>
		<link>http://www.sensibleacting.com/2011/09/05/acting-tips-how-actors-should-measure-career-success/</link>
		<comments>http://www.sensibleacting.com/2011/09/05/acting-tips-how-actors-should-measure-career-success/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 21:38:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[Acting career]]></category>
		<category><![CDATA[acting tips]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[Ken Grant]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1365</guid>
		<description><![CDATA[Acting Tips: Working all the time is NOT an indicator of career advancement. Ken shares thoughts on a realistic way to gauge an actor&#8217;s career advancement.]]></description>
			<content:encoded><![CDATA[<p>Acting Tips:  Working all the time is NOT an indicator of career advancement. Ken shares thoughts on a realistic way to gauge an actor&#8217;s career advancement.</p>
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		</item>
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		<title>Ken Grant&#8217;s Sensible Acting Tips: 4 Character Types</title>
		<link>http://www.sensibleacting.com/2011/08/30/sensible-acting-tips-4-character-types/</link>
		<comments>http://www.sensibleacting.com/2011/08/30/sensible-acting-tips-4-character-types/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 20:45:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[auditions cold readings Ken Grant Sensible Acting KVG acting tips drama character types]]></category>
		<category><![CDATA[script analysis development storytelling]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1338</guid>
		<description><![CDATA[Ken Grant gives Sensible Acting Tips on creating &#8216;The 4 Basic Character Types&#8217; necessary for Storytelling. How to create clearly defined characters quickly and easily for cold readings, auditions and polished performances. &#160; &#160; &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p>Ken Grant gives Sensible Acting Tips on creating &#8216;The 4 Basic Character Types&#8217; necessary for Storytelling. How to create clearly defined characters quickly and easily for cold readings, auditions and polished performances.</p>
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<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<item>
		<title>Anger is NOT a playable emotion!</title>
		<link>http://www.sensibleacting.com/2011/08/26/anger-is-not-a-playable-emotion/</link>
		<comments>http://www.sensibleacting.com/2011/08/26/anger-is-not-a-playable-emotion/#comments</comments>
		<pubDate>Fri, 26 Aug 2011 16:57:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[acting tips]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[audition]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[cold reading]]></category>
		<category><![CDATA[Ken Grant]]></category>
		<category><![CDATA[KVG acting]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[Sensible Acting]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1334</guid>
		<description><![CDATA[Anger is not a PLAYABLE emotion&#8230; it is the attempt to hide or cover one&#8217;s vulnerability. The key to playing anger is to identify the specific pain or vulnerability being experienced, then know WHY the character does NOT want anyone to see it!]]></description>
			<content:encoded><![CDATA[<p>Anger is not a PLAYABLE emotion&#8230; it is the attempt to hide or cover one&#8217;s vulnerability. The key to playing anger is to identify the specific pain or vulnerability being experienced, then know WHY the character does NOT want anyone to see it!</p>
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		<title>Three Conflicts in Any Scene</title>
		<link>http://www.sensibleacting.com/2011/08/24/three-conflicts-in-any-scene/</link>
		<comments>http://www.sensibleacting.com/2011/08/24/three-conflicts-in-any-scene/#comments</comments>
		<pubDate>Wed, 24 Aug 2011 20:36:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[Auditions scene audition Ken Grant cold reading Sensible Acting KVG Studios conflict analysis]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1332</guid>
		<description><![CDATA[Understanding and effectively dealing with the 3 Conflicts in any given scene will dramatically increase your confidence and decrease your preparation time during auditions.]]></description>
			<content:encoded><![CDATA[<p>Understanding and effectively dealing with the 3 Conflicts in any given scene will dramatically increase your confidence and decrease your preparation time during auditions.</p>
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]]></content:encoded>
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		</item>
		<item>
		<title>Why Actors Mess Up Cold Readings</title>
		<link>http://www.sensibleacting.com/2011/08/23/why-actors-mess-up-cold-readings/</link>
		<comments>http://www.sensibleacting.com/2011/08/23/why-actors-mess-up-cold-readings/#comments</comments>
		<pubDate>Wed, 24 Aug 2011 02:06:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[Cold Reading acting technique Ken Grant hollywood actress actor audition script Sensible Acting]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1330</guid>
		<description><![CDATA[The term &#8216;Cold Reading&#8217; has been equated with a &#8216;running of the lines&#8217; without the full effort of a finished performance. Why would anyone want an actor to do less than his best on ANY performance for ANY reason? More to the point, why would an actor ALLOW anyone to see him doing anything at [...]]]></description>
			<content:encoded><![CDATA[<p>The term &#8216;Cold Reading&#8217; has been equated with a &#8216;running of the lines&#8217; without the full effort of a finished performance.  Why would anyone want an actor to do less than his best on ANY performance for ANY reason?  More to the point, why would an actor ALLOW anyone to see him doing anything at a level that is less than his best?</p>
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		<item>
		<title>&#8216;Why Actors Should Love Working On Crap&#8217;</title>
		<link>http://www.sensibleacting.com/2011/08/19/why-actors-should-love-working-on-crap-2/</link>
		<comments>http://www.sensibleacting.com/2011/08/19/why-actors-should-love-working-on-crap-2/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 22:58:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA["Ken Grant" "Sensible Acting" "acting tips" "acting technique" "acting seminar" KVG "Cold Reading" audition auditioning auditions educational help]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1326</guid>
		<description><![CDATA[]]></description>
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]]></content:encoded>
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		<title>WHY does age matter?</title>
		<link>http://www.sensibleacting.com/2011/07/10/why-does-age-matter/</link>
		<comments>http://www.sensibleacting.com/2011/07/10/why-does-age-matter/#comments</comments>
		<pubDate>Sun, 10 Jul 2011 21:24:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[age]]></category>
		<category><![CDATA[booking]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[getting the job]]></category>
		<category><![CDATA[model]]></category>
		<category><![CDATA[promoting]]></category>
		<category><![CDATA[type casting]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=1255</guid>
		<description><![CDATA[A modeling job post goes out &#8211; &#8220;we need models, a certain weight, height, and ethnicity then&#8230;. the bomb shell: in a certain age group&#8221;! The question is, WHY does age matter? Now, I&#8217;m not talking about needing babies and a teenager shows up. If a 40 year old looks 25, has the right weight, [...]]]></description>
			<content:encoded><![CDATA[<p>A modeling job post goes out &#8211; &#8220;we need models, a certain weight, height, and ethnicity then&#8230;. the bomb shell: in a certain age group&#8221;! The question is, WHY does age matter? Now, I&#8217;m not talking about needing babies and a teenager shows up. If a 40 year old looks 25, has the right weight, height, skin tone, can deliver lines, or poses like a 25 year old and unless asked, you couldn&#8217;t guess he/she is older than 25, why would he/she not be considered for the job because of his/her &#8220;age&#8221;? &#8216;Would love to hear your take on this &#8211; Have a Great Day!</p>
<p>The answer is very simple. You are what you APPEAR to be! I have been training and coaching actors for many years, and this question is one of the most troubling ones to those who have not come to terms with the concept that &#8216;THEY are only concerned with what you appear to be&#8217;. If the 40 year old actor appears to be 18 to 23 years old, why would that actor say anything to the casting director, their agent, even their peers about &#8216;really&#8217; being 40?<br />
Your job is to know what you sell best and sell it (that goes for upscale-vs-downscale and selfless-vs-selfish characters as well as age of character). It is not your job to let everyone know that you are really NOT what they think you are. They will feel like they can&#8217;t trust you to deliver the goods if you are not what you appear to be.<br />
Consider the casting director who sees your head shot or composite, likes what they see (meaning they identify your type, your age, your socioeconomic status, your degree of education etc. and you fit the part perfectly). They call you in, and you (or your agent or another actor &#8216;friend&#8217; of yours) make it a point to tell them you are NOT what they assumed you are. No one likes to be proven wrong, so the CD will simply hire the actor who is in line right behind you or in front of you because they really ARE (at least as far as the CD knows) what the CD assumed they were when the CD viewed their pictures.<br />
The bottom line, is simply: You are what you appear to be in this business. Save all your truthful secrets for that special someone who will love and accept you for who and what you are, no matter what&#8230;.</p>
<p>For specific help or additional comments, you can contact me personally at:<br />
Ken@SensibleActing.com </p>
]]></content:encoded>
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		<item>
		<title>Which Acting Technique is the BEST?</title>
		<link>http://www.sensibleacting.com/2010/09/09/which-acting-technique-is-the-best/</link>
		<comments>http://www.sensibleacting.com/2010/09/09/which-acting-technique-is-the-best/#comments</comments>
		<pubDate>Thu, 09 Sep 2010 21:02:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=664</guid>
		<description><![CDATA[Many Actors find that traditional acting techniques such as Meisner, Adler, Strasberg and Hagan are based on the demands of stage and theater performance, and can be unclear, ambiguous and difficult to apply to the demands of film and television acting.  In many ways, it is like studying ballet in order to get a job [...]]]></description>
			<content:encoded><![CDATA[<p>Many Actors find that traditional acting techniques such as Meisner, Adler, Strasberg and Hagan are based on the demands of stage and theater performance, and can be unclear, ambiguous and difficult to apply to the demands of film and television acting.  In many ways, it is like studying ballet in order to get a job as a hip-hop dancer!  This does not mean that theater training is wrong, it simply means that it may not cover all the answers and techniques you need for the kind of work that you want.</p>
]]></content:encoded>
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		<item>
		<title>A Very Lucky Actor</title>
		<link>http://www.sensibleacting.com/2009/09/06/a-very-lucky-actor/</link>
		<comments>http://www.sensibleacting.com/2009/09/06/a-very-lucky-actor/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 04:30:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Acting Tips]]></category>
		<category><![CDATA[Myth Busting]]></category>

		<guid isPermaLink="false">http://www.sensibleacting.com/?p=346</guid>
		<description><![CDATA[Sensible Actors know that:

Preparation + Opportunity = A Very 'Lucky' Actor]]></description>
			<content:encoded><![CDATA[<h1 style="text-align: justify;">Luck = Preparation + Opportunity</h1>
<p style="text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"><span style="font-style: italic; color: #23561a; font-size: medium;">&#8220;<span style="text-decoration: underline;">Lucky Actors</span>&#8221;          are the ones who know their stuff when an opportunity comes along.</span></span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"> <img class="alignright size-thumbnail wp-image-349" title="Icon Gold Man &amp; Trophy" src="http://www.sensibleacting.com/wp-content/uploads/Icon-Gold-Man-Trophy-150x150.jpg" alt="Icon Gold Man &amp; Trophy" width="114" height="114" />It seems that today, everyone is looking for Instant          Gratification.  Many actors want to believe that a lucrative performing career is simply a matter of &#8216;being discovered&#8217;.  They think that it is simply a matter of &#8216;being in the right place at the right time&#8217; or meeting the &#8216;right people&#8217;. </span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"><br />
</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;">In their haste to attain fame and wealth without bothering to acquire skills and techniques, they usually waste a lot of time and money trying to          find an &#8216;agent&#8217; or &#8216;manager&#8217; who can &#8220;make them a star&#8221; BEFORE they          learn how to act.   Of course, there are plenty of so-called agents and          managers who are happy to praise and feed false hopes to these misguided actors and their parents so they will buy-in to the          concept of &#8211; ‘It’s Who You Know, Not What You Know’.  They are very          good at convincing the starry-eyed novice that they can introduce you to the &#8216;right people&#8217;          for a fee or services that you pay for up front. </span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"><br />
</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;">The Sensible Actor knows that this is a profession like any other.  They realize that there are skills to be mastered. </span><span style="font-family: Georgia; font-weight: 700;">The Sensible Actor will invest in training as any  doctor, accountant or any other professional does. </span><span style="font-family: Georgia; font-weight: 700;">In other words, THEY PREPARE!!</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"> </span><br />
<span style="font-family: Georgia; font-weight: 700;">It is a business that must be promoted. </span><span style="font-family: Georgia; font-weight: 700;"> </span><span style="font-family: Georgia; font-weight: 700;">The Sensible Actor</span><span style="font-family: Georgia; font-weight: 700;"> will network with those who are already established in the business.  They will join networking groups, volunteer for student films, community theater, join speech clubs, and anything else where they will mingling with others in the profession. </span><span style="font-family: Georgia; font-weight: 700;"> In other words, THEY PROMOTE!!!</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"><br />
</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;">Sensible Actors know that performing for free in community theater, student films, school and church presentations, and doing extra work is the most effective means of promoting one&#8217;s skills.  No one will hire an actor because they SAY they can act.  You have to SHOW them!  Performing is the ONLY way to get more  performing work, so THEY PERFORM!!</span></p>
<p style="margin-right: 15px; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"> </span><span style="font-family: Georgia; font-weight: 700;"><br />
</span></p>
<p style="margin-top: 10px; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"> <span style="color: #23561a;"><em>Sensible, </em></span><em><span style="color: #23561a;">trained actors</span></em> learn how to          establish contact with legitimate professionals in the industry.  They          learn how to maintain those relationships and how to avoid being ripped          off. </span></p>
<p style="margin-top: 10px; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;"><em><span style="color: #23561a;">Sensible, trained actors</span></em> know that ‘Who You          Know’ can only open a door.  Once you open that door and step in, it’s          ‘What You Know’ that transforms an &#8216;opportunity&#8217; into &#8216;success&#8217;.</span></p>
<p style="margin-top: 10px; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;">Sensible Actors know that:</span></p>
<p style="margin-top: 10px; margin-bottom: 0pt; text-align: justify;"><span style="font-family: Georgia; font-weight: 700;">Preparation + Opportunity = A Very &#8216;Lucky&#8217; Actor<br />
</span></p>
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